Peanuts in my mouth and ear, how did I get here? The work opens a playful dialogue between the mass-produced and the handmade. Using hand-painted monkey nuts as a stand-in for assembly-line goods, she draws attention to the often-invisible labour behind global production. Her installations blend dry humour with quiet critique, creating scenes that feel both familiar and off-kilter. Through minimal gestures and absurd juxtapositions, Weber invites us to reflect on the strange normalcy of consumption, and the anonymous hands that shape the objects we take for granted.